Norah Gaughan’s inspiration is revolution, in all its forms. The twists of a tree, the ironwork of the Eiffel Tower, a curl of calligraphy.
Three of these cable motifs are interchangeable, making it possible to mix and match pattern and garment as you like. Freedom to choose—such a Norah Gaughan idea.
(Note: all cable directions are given in both written-out and charted format.)
With its short sleeves, the Calligraphy Cardigan gives us a new way of thinking about the garments we make. Freedom from long sleeves means we can wear this cardigan with a T-shirt, long sleeved or short, or button it up and wear it as is.
The sculptural yoke shows us cable innovator Norah Gaughan playing with circles and curves, creating a yoke that looks as much like a calligraphy doodle as a knitting pattern. The scale is big—a juicy, dimensional design that is probably not like any cable you’ve worked.
(The yarn: Periwinkle Sheep Merino DK)
A tree makes for a beautiful cable design. In designing this classic, body-skimming pullover, Norah was thinking about Boston’s famed Liberty Tree, the location of the first public protest against the British government’s Stamp Act in 1765. The cable’s branches intertwine, then fan out at the edge of the yoke, tipped in bobbles that are not too bobbly. They are just bobbly enough.
(The yarn: Spud and Chloë Sweater)
We had a bit of a time classifying this garment. Is it a cowl? A ruff? A neck napkin? It’s long enough, and stylish enough, that we settled on capelet. Whatever you call it, it’s just the thing to wear under a coat, for warmth without bulk. It’s a versatile addition to any wardrobe, and a gift that is sure to fit.
We proudly present the world’s first yoke sweater that is all yoke and no sweater. The yoke is the fun part of knitting a yoke sweater, especially so in this case, with pairs of cables that undulate instead of twist; they are easy to work but out of the ordinary.
(The yarn: Julie Asselin Hektos)
In this stylish topper, Norah brings us the Industrial Revolution in hat form. It’s delightful how clearly Norah’s cables evoke the lattice girders of the Eiffel Tower; they stand separately at the brim, and join together elegantly at the top. The chart is simplicity itself, and Norah has done the knitter the kindness of shaping the beret from the bottom up, beginning with a cast-on of many stitches (hereby avoiding fiddling with a few twisty stitches at the start).
(The yarn: Jill Draper Windham)
A Note on Yardage Requirements
The projects in Field Guide No. 9 are all knitted to the same gauge, and all the yarns used for those projects knit to that gauge, so it’s the knitter’s choice of yarn, depending on your preference for color and fabric.
Need help figuring out yardage requirements? Click on one of the pattern names above, and the link will take you to the Ravelry page, where you’ll find the details on sizes, finished garment measurements, and yarn requirements. (Of course, all this information is also in the Field Guide!)