A Colorwork Jacket, Part 2: Knitting the Thing

Last time, I wrote about how I went about designing my big autumn project: a colorwork jacket. Now, on to the knitting of this behemoth!

The Winding

I had 16 skeins of Wollmeise Blend, each with a total of 546 yards, ready to be wound into center-pull balls. That’s 8,736 yards of yarn to be wound.

Tip: Winding 8,736 yards of yarn into center-pull balls whilst remaining sane:
A few years ago I bought an electric ballwinder from Nancy’s Knit Knacks, and I cannot recommend it highly enough. If you do a lot of colorwork (and I do), it is a lifesaver. I spent one happy afternoon winding all 16 skeins of yarn into a center-pull balls.

I slipped each ball of yarn into a plastic quart bag that I labeled with the colorway name and identifier I had assigned to that colorway (A – H for the foreground colors and 1 – 8 for the background colors. I poked a hole in each  bag and fed the end of the yarn through the hole. Not a particularly high-tech or elegant solution, but one that works.

The Cast-On

Time to cast on! 522 stitches. (Gulp.) I almost always use a long-tail cast-on, and with this number of stitches, I knew would have a hard time accurately guessing how much of a long tail I need to pull out. So I cast on using both ends of a skein of yarn, and then cut the tail when done.

Tip: Casting on large numbers of stitches:
Rather than cast on blindly and then try to count over 500 stitches, I cast on 50 stitches, count them, and place a marker. Repeat until all stitches are cast on.

The Facing

This design is knit in the round with a steek and cut open to create a jacket. Typically when knitting in the round, one joins the cast-on stitches into a circle being careful not to twist and starts knitting in the round. But because I planned to knit a plain facing at the bottom of the jacket, I worked back and forth in stockinette stitch for the depth of my facing, using just one color and a needle one size smaller than the one I would use for the colorwork. This is because my tension in colorwork is tighter than my tension in plain stockinette. When my facing was the right depth, I worked one round purling on the right side to make it easy to fold the facing to the inside.

The Knitting for Real

Finally, time to join into a circle and start knitting in the round! I switched to my larger needle and cast on 5 stitches (half of my steek stitches) at the beginning of the round. I worked the first round of my pattern, placing a stitch marker after each pattern repeat, and at the end I placed a marker and cast on 5 more stitches (the second half of my steek). The beginning of the round started in the center of my steek. A huge advantage to doing this is that you don’t have to weave in ends, because the steek will eventually be trimmed.

Some Days, 500 Is Too Many Stitches

Colorful, bulky yarns add up quickly to a rug that's fun to knit, thrilling to steek (not rilly, you wash it then snip!), and a joy to use every day.

Kiki Mariko Rug Kit

By Brown Sheep Company

When working stranded colorwork, you need to pay careful attention to your tension so as not to end up with a crumpled-up mass (too tight) or a saggy loopy mass (too loose). I consciously spread my stitches out on the needle as I knit to keep the yarn not in use stranded across the back at an even tension. With this design there was no need for me to secure the yarn not in use by twisting it with the working yarn on the wrong side because the longest stretch of each color was only 7 stitches, and it is at 7 or 8 stitches that I usually secure the yarn.

Tip: Holding your yarn for colorwork

How you hold your yarn is important when working stranded colorwork. There are three general methods: hold both colors in your left hand, one color in each hand, or both in the right hand. (I defy this rule by not holding my yarns, but picking up and dropping each color as I use it with my left hand. I do not advise you to emulate my style: it works for me but it is inelegant and can slow you down.) However you hold your yarn, you always want to work your colors the same way throughout your project. I grab the background color above the foreground color. That makes the foreground color pop. If you switch back and forth on which yarn is accessed on top, it will be noticeable in your finished project: subtle, but noticeable.

Constructing Steeks

For the body of the jacket I worked what essentially was a big tube. I had decided I wanted my jacket to be 36” long from neck to hem with 12” armholes, so when I had worked 24” above the bottom facing, I cast off one stitch at each side and cast on 10 steek stitches above the cast-off stitch on the next round. These would later be cut open to create the armholes.

The Sleeve Steek

Two inches before I reached my desired length, I shaped the front neck. I cast off the 10 center front steek stitches, put “x” number of stitches on either side of the cast-off steek on holders, and cast on a new steek to bridge the now-wide gap. I worked neck decreases on each side of this new steek as I finished up the body.

The Neck Steek

When I completed all the neck shaping and the body was the length I wanted, I put all “working” stitches on holders and cast off all the steek stitches: the new center front “neck” steek, and the two armhole steeks.

I then knit two smaller tubes: the sleeves. Because the body of the jacket is drop-shouldered, I knit for only 16”, increasing stitches from cuff upwards. Upon completion, I put all stitches on holders.

The Pieces

Next time, the final step: finishing!

Editors’ note: If you missed Part 1 of Wendy’s colorwork project, catch up here.